How to Mic an Accordion (Complete Guide for Performers)
- Squeeze & Thanks
- Apr 4
- 3 min read

Introduction: How Do You Mic an Accordion for Performance?
If you're trying to figure out how to mic an accordion, this is the guide for you. Whether you're performing on the street, at an open mic, in a full concert setting, or just trying to record at home—this article takes out all the guesswork.
We’re going to cover every possible way to amplify your instrument so you can get out there and perform. Accordion is a misunderstood instrument, but that doesn’t mean people shouldn’t hear it.
This guide is long, but it’s worth it—stay through to the end if you can. We’ll cover:
Pro tips
Gear recommendations
Pros and cons of each method
Accessories you'll need
If you enjoy this kind of deep-dive content, support the channel by clicking any of the gear links below (they’re affiliate links—won’t cost you anything extra, but helps the channel).
Method #1: Mic & Stand (1 or 2 Mics)
Difficulty: Moderate
Best For: Open mics, small gigs, basic recordings
Not Ideal For: Full bands, noisy environments, big venues
Recommended Mic: Shure SM57
✅ Pros:
Simple and easy to understand
Quick setup for most open mic hosts or sound engineers
Often available for free at venues
❌ Cons:
You have to stay stationary
Prone to environmental audio bleed
Feedback risk
Bulky, especially if using two mics
🔧 Accessories:
💡 Tips:
Turn off stage monitors to reduce feedback
Angle speakers away or stay behind them
Method #2: Gooseneck Microphones
Difficulty: Moderate
Best For: Street performing, open mics, small/medium concerts
Recommended Gear:
✅ Pros:
Freedom to move around
Moderate price point
❌ Cons:
Can fall off without careful mounting
Some setups feel a little jerry-rigged
Still prone to feedback
🔧 Accessories:
💡 Tips:
Face away from speakers
Articulate mic angles carefully toward the accordion
"Kill the monitors"
Method #3: Grill-Mounted Exterior Mics
Difficulty: Easy to Moderate
Best For: Performances and light recording
Recommended Gear: DJR Accordion Mics
✅ Pros:
Compact and discrete
Good mobility
Reliable sound
❌ Cons:
Semi-permanent placement
🔧 Accessories:
💡 Tips:
Can pick up keyboard/bass clatter—play louder and dial back input gain
Method #4: Stereo Mics (Pencil Condensers)
Difficulty: Moderate to Hard
Best For: High-end concerts and pro recordings
Recommended Gear:
🎧 Stereo Techniques:
X/Y – Reduces phasing
Spaced Pair – Hard pan L/R for a wide image
ORTF – Simulates human ears (17cm spacing, 110° angle)
NOS – Wider ambiance (30cm spacing, 90° angle)
✅ Pros:
Natural, dynamic sound
Stereo realism
❌ Cons:
Installation is tricky and time-consuming
Expensive
Battery replacement requires bass side disassembly
🔧 Accessories:
💡 Tips:
Reference: Samson Mic Techniques
Method #5: Internal Microphone Install
Difficulty: Hard to install, Easy to use
Best For: All live performances
Recommended Gear: Harmonik Microphones
✅ Pros:
Plug-and-play once installed
Full mobility
Feedback-resistant
Mono and stereo options
❌ Cons:
Install can take ~4 hours
May need to ship accordion for installation
Requires battery changes via bass side
🔧 Accessories:
💡 Tips:
If ordering online, request the mic install in advance to save hassle and shipping
Method #6: Fully Electric Accordion
Difficulty: Ridiculously Easy
Best For: Any setting, any gig
Recommended Brands: Roland, Bugari Evo, Korg
✅ Pros:
Ultimate convenience
Full freedom of movement
Zero feedback
Stereo/mono and headphone output options
❌ Cons:
High cost
Still requires battery maintenance and charging
🔧 Accessories:
Conclusion: Ready to Amplify?
Whether you're just getting into performing or looking to upgrade your current mic setup, I hope this guide has helped you find the perfect way to amplify your accordion. Each method has its pros and cons, so choose what works best for you.
For visual learners, don’t forget to check out the full video on YouTube where I give you a closer look.
I tried to leave a YouTube comment and will drop a comment here too.
1. I recommend this person who mounts a single Shure SM 57 or SM58 capsule (or similar) right on the treble reed block
It’s angled towards the centre of the instrument, so aimed to pick up enough bass too
The idea is to (extremely) close mic so you can turn way down and reduce feedback
I have not tried this myself, but probably would before spending hundreds or thousands on another system
“This particular microphone I put in here was only four quid.” https://youtu.be/PylrLdl1W-A
2.
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